Bloom

πšƒπš‘πšŽ πš—πš’πšπš‘πš πšœπš”πš’

π™Έπšœ πšπšžπš•πš• 𝚘𝚏 πšπš•πš˜πš πšŽπš›πšœ

π™±πš•πš˜πš˜πš–πš’πš—πš πš•πš’πšπšπš•πšŽ πš•πš’πšπš‘πšπšœ

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The Enter

𝚜𝚘𝚏𝚝 πšπš˜πšžπšŒπš‘
πšŠπš—πš πšœπšπš˜πš›πš’πšŽπšœ
πšπš˜πš•πš πšŠπš‹πš˜πšžπš πšπš‘πšŽ πšπšŽπšŠπšœπšŽπš› 𝚘𝚏 πšœπš™πšŠπšŒπšŽ;
πš‘πšŽπšŠπšŸπšŽπš— πšπšŽπš•πš πšœπšπšŠπš›πš•πš’πšπš‘πš
πš’πš—-πš‹πšŽπšπš πšŽπšŽπš— πšŽπšŒπš‘πš˜πšœ 𝚘𝚏 πš•πš˜πš—πš πš‹πšŽπšπš˜πš›πšŽ.
πš πšŠπšπšŽπš› πšœπš‘πš’πš—πšŽπšœ
πšπšŠπš—πšŒπš’πš—πš πšŒπš‘πš’πš–πšŽπšœ
πšŠπš•πš˜πš—πš πšπš‘πšŽ πšœπš‘πš˜πš›πšŽ
𝚘𝚏 πš πš˜πš—πšπšŽπš›

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Cotmeana Monastery

Maritime Harmonization

πšƒπš‘πšŽ πš‚πšŽπšŠ πš’πš— π™½πš˜πšŸπšŽπš–πš‹πšŽπš›

πš’πšœ πš•πš’πš”πšŽ πš—πš˜πšπš‘πš’πš—πš πšŽπš•πšœπšŽ 𝚒𝚘𝚞’πš•πš• πšŽπšŸπšŽπš› πšŠπšπšπšŽπš—πš.

π™ΆπšŠπš£πš’πš—πš πš’πš—πšπš˜ πšπš‘πšŽ πšŸπšŠπšœπšπš—πšŽπšœπšœ

πšœπš˜πš˜πš— 𝚒𝚘𝚞 πš›πšŽπšŒπš˜πšπš—πš’πš£πšŽ

πš’πš’𝚜 πš’πš˜πšžπš›πšœπšŽπš•πš πš πš‘πš˜’𝚜 πš‹πšŽπšŒπš˜πš–πš’πš—πš 𝚝𝚘 πšŽπš‘πš™πšŠπš—πš;

πš†πš‘πšŽπš— πšπš‘πšŽ πš‚πšŽπšŠ πšœπš™πš•πšŠπšœπš‘πšŽπšœ πšœπšπš’πš•πš•πš—πšŽπšœπšœ πšŠπš—πš πšπšŽπš—πšπšŽπš›πš—πšŽπšœπšœ.

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The Black Sea, November 2017

Balance of renewed guarantees support to those in expansion.

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The Black Sea, November 2017

Subject for Experimental

Attuned To Alien Moonlight

 

π™½πš’πšπš‘πš πš’πšœ πšŒπšŽπš›πšπšŠπš’πš—πš•πš’ πš–πš˜πš›πšŽ πš—πš˜πšŸπšŽπš• πšŠπš—πš πš•πšŽπšœπšœ πš™πš›πš˜πšπšŠπš—πšŽ πšπš‘πšŠπš— 𝚍𝚊𝚒…πšŠπš—πš 𝚊𝚜 πšπš˜πš› πšπš‘πšŽ πš–πš˜πš˜πš—, πš πš‘πš’ πš—πš˜πš πš πšŠπš•πš” 𝚊 πš•πš’πšπšπš•πšŽ 𝚠𝚊𝚒 πš’πš— πš‘πšŽπš› πš•πš’πšπš‘πš?

(πšƒπš‘πš˜πš›πšŽπšŠπšž)

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By Edwin Smith
(The Lagoon, Venice / 1961)

Strange Days Says the Angel

π™»πš’πšπšŽπšπšžπšŠπš›πšπšœ, πš–πšŽπš›πš–πšŠπš’πšπšœ, 𝚜𝚎𝚊 πšŠπš—πš’πš–πšŠπš•πšœ πšŠπš—πš πšœπšŠπš—πš πšŒπšŠπšœπšπš•πšŽπšœ πšπšŠπšπš‘πšŽπš› πš’πš— πšπš‘πš’πšœ πš•πšŠπš‹πš’πš›πš’πš—πšπš‘πš’πš—πšŽ πš πšŠπš•πš” πšŠπš•πš˜πš—πš πšπš‘πšŽ 𝚜𝚎𝚊 πšœπš‘πš˜πš›πšŽ.

𝙰 πšŒπš˜πšœπš–πš’πšŒ πšŒπš‘πš’πš•πšπš‘πš˜πš˜πš πšπš›πšŽπšŠπš–.

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Β©Andreea Musat
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Β©Andreea Musat

 

 

Until Then is Now

Love at first sight!

Enjoy a new visual language, constructed worlds that speak to issues and concerns using light, shadow, and color to tell the stories ofΒ Heidi Clapp-Temple

She often utilizes her visually appealing style to draw the viewer in for a look at the sometimes complicated and darker aspects of life.Β Her current work involves a combination of photography and various fine art processes.The first part of her creative process is the creation of tabletops sets for the camera.Β She makes drawings which she cuts from paper and then adds multiple types of papers, glass, and various objects to the sets. In her studio she puts a sheet of white paper in front of the sets and illuminates them from behind to create scenes seen through the white paper. Working with shadow, light, silhouettes, and reflections she creates a final composition that she photographs.”Β 

Come Back
Β©Heidi Clapp-Temple, Come Back
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Β©Heidi Clapp-Temple, Dress Your Age
HeidiClappTemple_EmptiestHouse
Β©Heidi Clapp-Temple, Emptiest House
HeidiClappTemple_FountainofTruth
Β©Heidi Clapp-Temple, Fountain of Youth
HeidiClappTemple_Retrospect
Β©Heidi Clapp-Temple, Retrospect

 

 

Courtesy of : http://lenscratch.com/2017/07/heidi-clapp-temple-until-then-is-now/